My favorite show on Netflix is BoJack Horseman, which reveals a lot about me, since it’s a show about an emotionally dysfunctional has-been in Hollywood. So, back in January 2018, I was motivated to write a spec script for the show. I thought maybe I could replay the events decades earlier, described in “My Bumpy Road Through “Hollywood” – There once was MOONLIGHTING“, but hoping for a better result this time.
Since Middle School, I have been a writer, and was the editor of my school paper in Ninth Grade.
I began in television in high school and became producer and writer for the New Year’s Eve variety program “CELEBRATION” which aired on network affiliate TV stations in Minneapolis for several years. I then helped build and put on the air a new broadcast TV station, Channel 29, and became its Operations Manager as well as Writer, Producer, and Director for in-house programs and clients’ productions. I went on to work for several production companies, including TV production trucks, and went out on my own as an independent Writer, Producer, and Director. My productions included live and taped talk shows, variety programs, holiday specials, sports broadcasts, interstitial segments, concerts, conventions, commercials, and industrials. Minneapolis is a major market area, which Nielson ranks as 15th largest.
I became friends with Prince and helped open his Paisley Park Studios. I marketed PPS around the world for productions and rehearsals, and produced some of Prince’s video projects, including his “ALPHABET STREET” music video and his “BENEFIT CONCERT FOR THE HOMELESS.” I also wrote, produced, and directed my own projects, including “THE BERENGUER BOOGIE” which celebrated the Minnesota Twins’ first World Series win.
There are a lot of screenwriting gurus. That’s because there are so many people who want to write screenplays and are scared to death about doing it wrong. It seems that, for every 100 people who are afraid of the number of brads that must be in a script (two), the typeface that must be used (Courier 11 or 12), the right software (FINAL DRAFT for $$, CELTX for free), and every other element that they think is the key to the magic kingdom of screenwriting success, there are at least a couple gurus who have all the answers.
That’s all good, but it seems to me, from the comments I always hear from people who want to start writing screenplays, the ‘take-away’ is always wrong. The wrong “rules” are assumed to be the most important.